Frame rate
23.976, 24, 25, 29.97 DF or NDF, or 30, as set in the project.
Timecode / frame rate / clip names
Timecode the edit can trust.
Timecoded transcription places the source timecode of each clip next to the words spoken, so an editor can go from a transcript line to the exact frame. BestTranscript confirms the frame rate, timecode source and timestamp interval at intake, and flags timecode jumps instead of hiding them.
Agreed at intake
Four details make timecode usable.
Timecode source
Embedded SMPTE, auxiliary sound timecode or burnt-in timecode.
Interval
At each speaker change, at a fixed interval, or both.
Discontinuities
Jumps and restarts are flagged with clip name and timecode.
Timecode answers
Questions to settle before footage moves.
What is the difference between source timecode and burnt-in timecode?
Source timecode is the SMPTE timecode recorded in the camera or sound file. Burnt-in timecode (BITC) is a visible copy on the picture. We confirm which one the edit uses before work starts.
How often are timestamps added?
At an interval that you choose: at each speaker change, at a fixed interval, or both. The interval is part of the agreed specification.
What happens when timecode jumps or restarts?
Discontinuities are flagged in the transcript with the clip name and the last good timecode. They are not silently smoothed over.
Which frame rates do you support?
The transcript uses the project frame rate, such as 23.976, 24, 25, 29.97 drop-frame or non-drop-frame, or 30. Tell us the rate at intake and the pilot confirms it.
Production pilot
Test timecode on your own clips.
Send one representative hour with the project frame rate and timecode source for a pilot.
Scope a pilot